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#Saffire mixcontrol confusing as hell Patch#
This, unfortunately, forces the user to choose one or the other when wiring the back-panel connectors into a patch bay. This seems to be the trend with gear using these types of combo connectors. While the Saffire MixControl application allows a user to switch between line and instrument signals when a connection to the ¼-inch jack is detected, there is no way to bypass automatic selection of mic versus line signals. All eight inputs are designed to accept line-level signals through the ¼-inch component, and the first four can be made to amplify high-impedance, unbalanced, instrument-level signals, as well.Įach also offers a phantom-powered mic preamp, accessible through the XLR. They each connect using XLR/TRS ¼-inch combo jacks, two of which are mounted on the front panel, the other six on the back. The analog inputs each have a corresponding five-segment LED meter on the front panel. Also included are a pair of Toslink I/O connecters as well as coax S/PDIF I/O and MIDI I/O on standard 5-pin DIN connectors. The PRO 40 offers eight analog inputs and 10 analog outputs. The Saffire PRO 40 packs a good amount of I/O and connectivity into a single-rackspace unit, while also offering plenty of opportunity for expansion.
#Saffire mixcontrol confusing as hell drivers#
Having two buses to handle data has always been handy, and now, using a FireWire-to-Thunderbolt adapter, the Saffire drivers can interface with a FireWire-free PC. However, sharing the USB bus between hard drives and interfaces can lead to unnecessary bottlenecking. This has left many engineers turning to USB 3 interfaces. While Apple computers continue to provide FireWire ports, others have phased them out, choosing Thunderbolt as an alternative. Each is designed to connect via FireWire 400, and they are among the first multichannel interfaces to provide Thunderbolt connectivity. The new Saffire line includes the Saffire PRO 40, PRO 26 and PRO 24. On top of that, their innovation doesn’t stop at sound quality, but has embraced connectivity and flexibility in the digital domain. In recent years, however, Focusrite has blurred that line and delivered great sound at modest prices, pleasing engineers at all levels. Some pros were disappointed when the company started playing to project studios, feeling that their early offerings in that market fell short of the sound quality associated with the Focusrite name. Early on, Focusrite earned the respect of audio pros with the release of serious, professional mic preamps, consoles and rackmounted channel strips.